onsdag 4. desember 2019

Millions heard the sound of freedom in the Beatles’ music. Elijah Wald hears a death knell. In the songs of the Fab Four, he argues, pop music completed its decades-long transformation from a kingdom of democratic dance and authorless song to a lonesome land of private pleasures and isolated audiences. The result was segregation along lines of race as well as taste: In the late ’60s, as white rock sought introspection in albums and black pop chased good times on singles, an “increasing divide between rock and soul, listening music and dance music,” developed. Wald writes that the Beatles destroyed rock ’n’ roll by leading “their audience off the dance floor, separating rock from its rhythmic and cultural roots,” and “point[ing] the way toward a future in which there need be no unifying styles.”

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